- #Omnisphere 2.5 beta setting up hardware control Patch
- #Omnisphere 2.5 beta setting up hardware control full
- #Omnisphere 2.5 beta setting up hardware control software
- #Omnisphere 2.5 beta setting up hardware control windows
This is the starting page when first connecting your hardware synth, in this case the Moog Sub 37.
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The two templates that we have tested, for the Moog Sub 37 and DSI OB-6, demonstrate how thoughtfully and subtly the Spectrasonics team have aligned Omnisphere’s parameters with the character and idiosyncratic limitations of each synth.
#Omnisphere 2.5 beta setting up hardware control software
Going far beyond what most users would expect from an established software synth in terms of integration with third-party hardware, this is not just an advanced MIDI Learn template, as Omnisphere is tailored slightly differently to the specific control layout and character of each of the hardware synths it can integrate with.
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Ghost In The Shell: Hardware Synth Integration This is what we’ll spend the rest of the review looking at below, as it could be a bit of a game-changer. This is the software’s ability to map itself to the physical controls of any one of over 30 (and counting) popular hardware synths. TouchOSC, MIDI Designer and Lemur, that you can use to control Omnisphere parameters on an iPad.īeyond all this though, the headline feature addition to Omnisphere 2.5 is Hardware Synth Integration.
#Omnisphere 2.5 beta setting up hardware control windows
#Omnisphere 2.5 beta setting up hardware control full
#Omnisphere 2.5 beta setting up hardware control Patch
New Hardware Sound Library: Eric Persing and the Spectrasonics team used the Hardware Synth Integration feature to create over 1,000 new patches that form the Hardware Library section of the Omnisphere patch library.New State Variable Filter Type: The filter menu has additions in the form of the State Variable Filter, which has been specially designed to make use of the OB-6 hardware synth’s unusual filter configuration, which basically provides you with a single knob that you can use to sweep seamlessly between Low-Pass, Notch and High-Pass filter types.
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These can be swapped out for any other waveform or sample you like, opening up huge possibilities for hands-on sound manipulation.
![omnisphere 2.5 beta setting up hardware control omnisphere 2.5 beta setting up hardware control](https://www.spectrasonics.net/products/omnisphere/images/slideshow26/Omnisphere-2-Slide-10.jpg)
Here, the default Integration patch layers for the Sub 37. Having 4 layers per patch means that more of the hardware synth’s parameters can be engaged. The number of envelopes, LFOs and Modulation Matrix routings have all also been expanded, providing you with practically more modulation possibilities than you’re frankly ever likely to use in a real project! In Omnisphere 2.5, each patch now contains up to 4 layers.